Tag Archives: Robin Laws’ Iconic Character Paradigm

The work of the Critic ™

A long time ago Hulk posted a scathing review of The Amazing Spiderman, and I had a riposte, and I find myself now having to come back again to defend Spiderman: Homecoming from his “criticism“. His basic problem is that … Continue reading

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Micro-procedurals in Urban Fantasy

When Buffy the Vampire finished up its run, I was ready for it to be over. I had loved the show, but over the course of the seventh season I’d been feeling a palpable sense of de ja vu bordering on boredom … Continue reading

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Casino Royale [1953]

Last year I wasn’t too kind about the most recent James Bond film, Spectre, and a couple of years has eroded the mildly positive feelings I had about Skyfall, and before that I didn’t like Question of Sport much at all, but … Continue reading

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Hail, Caesar! [2016]

As this is a by-request, it’s straight into spoilers. Love the Golden Age of Hollywood? Go see. Otherwise, pass. Hamish asks: If you write a full review on your blog, could you consider the apparent lack of conflict in the … Continue reading

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