Tag Archives: Narrative Structure

Hancock [2008]

Iron Man [2008] was effectively where the modern Super Hero film kicked off, and with it came a certain kind of super-hero story design that I think has found its way into a relatively dead end, and for which I … Continue reading

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Guardians of the Galaxy, vol 2 [2017]

For the past few months I’ve been having a slightly awkward conversation which, broadly, goes something like this: “Did you see that new Guardians of the Galaxy film eh? What great fun, best thing since sliced bread.” “I did see … Continue reading

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Reflexivity in Remington Steele

Remington Steele was a lightly comedic detective procedural from the early 1980s. It had two gimmicks – front and centre is the conceit that Remington Steele is a fraud, an invention of the real detective, Laura Holt, who was not … Continue reading

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The Fate of the Furious [2017]

The response to the film by critics was by-and-large “it’s bonkers and doesn’t care”, which is critical short-hand for “I didn’t understand what this film was doing or how, but it seemed to appeal to the (stupid) masses”. Consider for … Continue reading

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Best Picture Oscar: Arrival [2016]

Aliens arrive, and linguist Louise Banks is sent to find out how to communicate with them. Interwoven with that, from the first scene, is her remembering the tragic life of her daughter, who died young. This is breathtaking science fiction … Continue reading

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Live by Night [2016]

The 1920s are defined in the modern Western imagination by the Volstead Act, Prohibition, and the  criminal underworld it created. The reason is partially that the most successful and most powerful bootleggers of the age wanted it that way. Al … Continue reading

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Micro-procedurals in Urban Fantasy

When Buffy the Vampire finished up its run, I was ready for it to be over. I had loved the show, but over the course of the seventh season I’d been feeling a palpable sense of de ja vu bordering on boredom … Continue reading

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