Tag Archives: 2010s

Best and Worst films of 2017

It’s been a quiet year for me this year for a combination of reasons: uptick in social things and ultimate, watching a huge number of films for school, and perhaps being a bit pickier when forking over my $10 (Reading) … Continue reading

Posted in Film | Tagged , , , , , , , | Leave a comment

Star Wars: The Last Jedi [2017]

Given the sensitivity around films of this scale, everything is behind the screen.

Posted in Criticism, Film | Tagged , , , | Leave a comment

Revisiting Blade Runner [1992 re-release]

I recently re-watched this in preparation for seeing Blade Runner 2049 (review forthcoming), and judging from my Facebook “news” feed, so have a lot of other people. I’ve been a little surprised to see a quite negative stream of commentary … Continue reading

Posted in Film, Philosophy | Tagged , , , , , , , | Leave a comment

An Emotional Response to Lucifer [Episodes 1-3]

Occasionally one encounters a piece of fiction so staggeringly ill-judged as to transgress the border of the misanthropic, the production of which in any civilised society would be an actual crime. I can’t say for certain that Lucifer taken as … Continue reading

Posted in Television | Tagged , , | Leave a comment

Guardians of the Galaxy, vol 2 [2017]

For the past few months I’ve been having a slightly awkward conversation which, broadly, goes something like this: “Did you see that new Guardians of the Galaxy film eh? What great fun, best thing since sliced bread.” “I did see … Continue reading

Posted in Criticism, Film | Tagged , , , , | 1 Comment

King Arthur: Legend of the Sword [2017]

It is axiomatic in my critical writing that a work should be taken on its own terms as much as possible, and I try to then understand given it succeeds, what meaning the thing conveys. This is a very difficult … Continue reading

Posted in Film | Tagged , , , , , , , | Leave a comment

Atomic Blonde [2017]

Atomic Blonde belongs to a male-dominated genre and aesthetic, not only dominated, but almost explicitly anti-woman. Women exist in this genre space almost purely to get “Fridged“, rescued, or indifferently used by the hero in furtherance of his aims. The … Continue reading

Posted in Film | Tagged , , , , , , , , | Leave a comment