Tag Archives: 2010s

King Arthur: Legend of the Sword [2017]

It is axiomatic in my critical writing that a work should be taken on its own terms as much as possible, and I try to then understand given it succeeds, what meaning the thing conveys. This is a very difficult … Continue reading

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Atomic Blonde [2017]

Atomic Blonde belongs to a male-dominated genre and aesthetic, not only dominated, but almost explicitly anti-woman. Women exist in this genre space almost purely to get “Fridged“, rescued, or indifferently used by the hero in furtherance of his aims. The … Continue reading

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The Fate of the Furious [2017]

The response to the film by critics was by-and-large “it’s bonkers and doesn’t care”, which is critical short-hand for “I didn’t understand what this film was doing or how, but it seemed to appeal to the (stupid) masses”. Consider for … Continue reading

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The Circle [2017]

Often when I read a negative review about a film, I’ll eventually come to the conclusion that the reviewer brought their own agenda to the review rather than coldly evaluating the work in its own terms. How valid that is … Continue reading

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Kong: Skull Island [2017]

Kong: Skull Island is the kind of film they don’t make anymore: an unabashed pulp tale of spectacle, heroism, exoticism, and a giant frickin’ ape! Except that they still make tonnes of this kind of film; in fact, far, far, … Continue reading

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Best Picture Oscar: La La Land [2016]

An aspiring actress meets an aspiring jazz musician and through the magic of song and dance they have a romance. La La Land puts its cards on the table right there in the opening sequence, which is a big song-and-dance … Continue reading

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Best Picture Oscar: Arrival [2016]

Aliens arrive, and linguist Louise Banks is sent to find out how to communicate with them. Interwoven with that, from the first scene, is her remembering the tragic life of her daughter, who died young. This is breathtaking science fiction … Continue reading

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