Category Archives: Film

Man with a Movie Camera [1929]

For my studies this year, I’ve watched in the order of 50 films, and the best of them is probably a 1929 silent pseudo-documentary called Man with a Movie Camera. It was made by a guy who got his start … Continue reading

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Guardians of the Galaxy, vol 2 [2017]

For the past few months I’ve been having a slightly awkward conversation which, broadly, goes something like this: “Did you see that new Guardians of the Galaxy film eh? What great fun, best thing since sliced bread.” “I did see … Continue reading

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King Arthur: Legend of the Sword [2017]

It is axiomatic in my critical writing that a work should be taken on its own terms as much as possible, and I try to then understand given it succeeds, what meaning the thing conveys. This is a very difficult … Continue reading

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Atomic Blonde [2017]

Atomic Blonde belongs to a male-dominated genre and aesthetic, not only dominated, but almost explicitly anti-woman. Women exist in this genre space almost purely to get “Fridged“, rescued, or indifferently used by the hero in furtherance of his aims. The … Continue reading

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The Fate of the Furious [2017]

The response to the film by critics was by-and-large “it’s bonkers and doesn’t care”, which is critical short-hand for “I didn’t understand what this film was doing or how, but it seemed to appeal to the (stupid) masses”. Consider for … Continue reading

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The Circle [2017]

Often when I read a negative review about a film, I’ll eventually come to the conclusion that the reviewer brought their own agenda to the review rather than coldly evaluating the work in its own terms. How valid that is … Continue reading

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The work of the Critic ™

A long time ago Hulk posted a scathing review of The Amazing Spiderman, and I had a riposte, and I find myself now having to come back again to defend Spiderman: Homecoming from his “criticism“. His basic problem is that … Continue reading

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