Author Archives: alasdair101

Hancock [2008]

Iron Man [2008] was effectively where the modern Super Hero film kicked off, and with it came a certain kind of super-hero story design that I think has found its way into a relatively dead end, and for which I … Continue reading

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Revisiting Blade Runner [1992 re-release]

I recently re-watched this in preparation for seeing Blade Runner 2049 (review forthcoming), and judging from my Facebook “news” feed, so have a lot of other people. I’ve been a little surprised to see a quite negative stream of commentary … Continue reading

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An Emotional Response to Lucifer [Episodes 1-3]

Occasionally one encounters a piece of fiction so staggeringly ill-judged as to transgress the border of the misanthropic, the production of which in any civilised society would be an actual crime. I can’t say for certain that Lucifer taken as … Continue reading

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Man with a Movie Camera [1929]

For my studies this year, I’ve watched in the order of 50 films, and the best of them is probably a 1929 silent pseudo-documentary called Man with a Movie Camera. It was made by a guy who got his start … Continue reading

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Guardians of the Galaxy, vol 2 [2017]

For the past few months I’ve been having a slightly awkward conversation which, broadly, goes something like this: “Did you see that new Guardians of the Galaxy film eh? What great fun, best thing since sliced bread.” “I did see … Continue reading

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Reflexivity in Remington Steele

Remington Steele was a lightly comedic detective procedural from the early 1980s. It had two gimmicks – front and centre is the conceit that Remington Steele is a fraud, an invention of the real detective, Laura Holt, who was not … Continue reading

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King Arthur: Legend of the Sword [2017]

It is axiomatic in my critical writing that a work should be taken on its own terms as much as possible, and I try to then understand given it succeeds, what meaning the thing conveys. This is a very difficult … Continue reading

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